2019 Booker Prize longlist – contd

Lost Children Archive, Valeria Luiselli – A family in New York packs the car and sets out on a road trip. A mother, a father, a boy and a girl, they head south west, to the Apacheria, the regions of the US which used to be Mexico. They drive for hours through desert and mountains. They stop at diners when they’re hungry and sleep in motels when it gets dark.

Meanwhile, thousands of children are journeying north, travelling to the US border from Central America and Mexico. Not all of them will make it to the border. In a breathtaking feat of literary virtuosity, Lost Children Archives intertwines these two journeys to create a masterful novel full of echoes and reflections – a moving, powerful, urgent story about what it is to be human in an inhuman world.

 

An Orchestra of Minorities, Chigozie Obioma – Umuahia, Nigeria. Chinonso, a young poultry farmer, sees a woman attempting to jump to her death from a highway bridge. Horrified by her recklessness, Chinonso joins her on the roadside and hurls two of his most prized chickens into the water below to demonstrate the severity of the fall. The woman, Ndali, is moved by his sacrifice.

Bonded by this strange night on the bridge, Chinonso and Ndali fall in love. But Ndali is from a wealthy family, and when they officially object to the union because he is uneducated, Chinonso sells most of his possessions to attend a small college in Cyprus. Once in Cyprus, he discovers that all is not what it seems.

Furious at a world that continues to relegate him to the sidelines, Chinonso gets further and further away from his dream, from Ndali and the place he called home. Partly based on a true story, An Orchestra of Minorities is also a contemporary twist on Homer’s Odyssey. In the mythic style of the Igbo literary tradition, Chigozie Obioma weaves a heart-wrenching epic about the tension between destiny and determination.

Lanny, Max Porter – There is a village outside London, no different from many others. Everyday lives conjure a tapestry of fabulism and domesticity. This village belongs to the people who live in it and to the people who lived in it hundreds of years ago. It belongs to England’s mysterious past and its confounding present.

But it also belongs to Dead Papa Toothwort who has woken from his slumber and is listening, and watching. He is watching Mad Pete the village artist. He is listening to ancient Peggy gossiping at her gate, to families recently moved here and to families dead for generations. Dead Papa Toothwort hears them all as he searches, intently, for his favourite. Looking for the boy. Lanny.

 

Quichotte, Salman Rushdie – Inspired by the classic Don Quixote by Miguel de Cervantes, Quichotte is the story of an aging travelling salesman who falls in love with a TV star and sets off to drive across America on a quest to prove himself worthy of her hand. Quichotte’s tragicomic tale is one of a deranged time, and deals, along the way, with father-son relationships, sibling quarrels, racism, the opioid crisis, cyber-spies, and the end of the world.

10 Minutes 38 Seconds In This Strange World, Elif Shafak – For Leila, each minute after her death brings a sensuous memory: the taste of spiced goat stew, sacrificed by her father to celebrate the long-awaited birth of a son; the sight of bubbling vats of lemon and sugar which the women use to wax their legs while the men attend mosque; the scent of cardamom coffee that Leila shares with a handsome student in the brothel where she works. Each memory, too, recalls the friends she made at each key moment in her life – friends who are now desperately trying to find her.

Frankissstein, Jeanette Winterson – In Brexit Britain, a young transgender doctor called Ry is falling in love – against their better judgement – with Victor Stein, a celebrated professor leading the public debate around AI.

Meanwhile, Ron Lord, just divorced and living with Mum again, is set to make his fortune launching a new generation of sex dolls for lonely men everywhere. Across the Atlantic, in Phoenix, Arizona, a cryonics facility houses dozens of bodies of men and women who are medically and legally dead… but waiting to return to life.

But the scene is set in 1816, when 19-year-old Mary Shelley writes a story about creating a non-biological life-form. ‘Beware, for I am fearless and therefore powerful.’ Spanning multiple timeframes, Frankissstein is funny and furious, bold and clear-sighted, exploring gender identity and the far-reaching consequences of the AI revolution we are already living through. What will happen when homo sapiens are no longer the smartest being on the planet? Jeanette Winterson shows us how much closer we are to that future than we realize.